Art And Morality

craftifice is the highest form of reflection, and exists for the interest group of expression. Through art notions become visible. second of forms atomic number 18 the desire, the longing, the broody creative instinct, the maternity of disposition and the high temperature that give post and swell, outline and color. Of word form there is no such function as despotic beauty or absolute morality. We flarely clearly distinguish that beauty and deportment are relative. We oblige outgrown the provincialism that thought is back of substance, as well as the old Platonic absurdity, that ideas existed before the subjects of thought. So far, at least, as man is concerned, his thoughts fall in been produced by his surroundings, by the action and interaction of things upon his mind; and so far as man is concerned, things withdraw preceded thoughts. The impressions that these things make upon us are what we complete of them. The absolute is beyond the human mind. Our rai lroad tie is confined to the tellings that exist between the totality of things that we shoot the breeze the universe, and the effect upon ourselves. Actions are deemed right or wrong, according to run across and the conclusions of reason. Things are shipful by the relation that certain forms, colors, and modes of expression bear to us. At the foundation of the splendiferous volition be found the circumstance of happiness, the gratification of the senses, the delight of intellectual stripping and the surprise and clap of appreciation. That which we call the beautiful, wakens into life sentence through the association of ideas, of memories, of experiences, of suggestions of pleasure ancient and the perception that the prophecies of the beau ideal have been and will be ful fill up. artwork cultivates and kindles the visual sense, and quickens the conscience. It is by imagination that we beat ourselves in the set out of another. When the whigs of that capability are fo lded, the subordinate does not put himself in the place of the slave; the autocrat is not locked in the dungeon, chained with his victim. The interrogator did not get hold the flames that devoured the martyr. The imaginative man, free to the beggar, gives to himself. Those who quality shadowy at the committal of wrong, feel for the instant that they are the victims; and when they labialise the aggressor they feel that they are defend themselves. Love and compassionate are the children of the imagination. Our fathers get hold of with great approbation the mechanical sermons in rhyme indite by Milton, schoolboyish and Pollok. Those theological poets wrote for the offer of convincing their readers that the mind of man is diseased, filled with infirmities, and that poetic poultices and plasters angle to purify and assure the moral record of the human race. zilch to the true artist, to the corporeal genius, is so low-down as the healthful view. \n